“Provenance” at The Mondavi Center 4.28.12!
This Saturday, April 28th, I will be performing “Provenance” at The Mondavi Center for the Performing Arts in Davis, CA. I am accompanied by Lebanese-American master oud player Bassam Saba, as well as American percussionists Shane Shanahan and Matt Kilmer. Go to The Mondavi Center’s website for more information about the concert and to buy tickets. I am excited to return to the Mondavi Center – last time it was my program “World To Come,” which is very different from “Provenance.” As I explained to Jeff Husdon at The Davis Enterprise during our interview, “this concert features some music that we couldn’t include on the [Provenance] album, so you will hear some new things. And there is room for improvising in some of the pieces, so even if you’ve heard them on the album, they will sound different in concert.” Read the full interview here. Scroll down to see a bit of what you can expect on Saturday. I hope to see you there!
Below is more information about the “Provenance” show from the press release:
Provenance features music by Raz Mesinai, Simon Shaheen, Tamar Muskal, Evan Ziporyn, Hamza El Din, Douglas J. Cuomo, Kayhan Kalhor and Djivan Gasparian – hailing from Armenia, Kurdish Iran, Egypt, Israel, and the US – and is inspired by the Golden Age of medieval Spain when Muslims, Christians, and Jews lived together peacefully, giving rise to a centuries-long flowering of commerce, culture, art, and architecture. In a world troubled by religious strife and division, Provenance offers a contemporary interpretation of this historic shared harmonious source, which lasted from the eighth to the fifteenth century.
Provenance is 75 non-stop minutes of continuous thread where live music and original text in Ladino, Arabic, Hebrew and Latin are woven together into an all-encompassing musical tapestry. Beiser says, “Provenance outlines a musical landscape in which cultural differences are brought together for the artistic energy they release with each encounter. It embraces co-existence not as an abstract ideal but as a creative necessity.”




